I would think many more people would have latched onto Ninjam/Reaper than I see. I see much potential. I have had some rewarding experiences. The trouble (partially), I see, lies in the matter of introduced lag and having to work with it. I almost view it as a new frontier to be conquered. Complex changes are a no-no for me, whether it be due to my own incompetence or that of something else, but that does not prevent a rewarding experience amongst musicians across the globe. The problems I find, are with general musicians being too ambitious. Yes, we all know you can riff up and down and play patterns that make God cry, but creating a basic groove is something that seems to escape most sessions I have experienced. Sometimes the introduced lag can make things unbearable. Other times, as I have commented to friends, it is almosat like the lag is not even there. I believe there is a key to finding something new here. Just as analog recording displayed restrictions upon what could and what could not be done, being forced into the constraints of a rigid system of time in Ninjam could potentially spring forth new orgasmic wonders for the vagina of the world to taste. Please... more vagina now - WR